DECORAZIONI D'INTERNI DI RENNA LUIGI
PUBBLICA IN QUESTO POST ALCUNI APPUNTI PROMEMORIA DI LAVORI ESEGUITI CON MATERIALI INUSUALI.
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LA MACCHIA,LUCIDATURA,FINTO MARBLE
(LA BUSH: That's usually 'DARKER AND MORE LIQUID FUND) is normally carried out with sea sponges, cotton rag WITH CHOSEN BRUSHES WITH EVERYTHING' THE HAND 'AND FANTASY, AND THE EXPERIENCE OFFER FOR EACH DESIRED CASO.OTTENUTA staining, sanding with sandpaper is passed a VERY FINE, DRY FOR THOSE ASPERIA Pull 'THAT MAY BE, AND THEN dusted THIS POINT IS READY FOR THE STAGE LUCIDATURA.LA POLISHING : CAN 'GET WITH N. 2 coats of transparent paint thinning to the right point of synthetic, acrylic and epoxy, wax, etc.. POLISH-WAX IS MADE AS TO ALL TYPES OF SUPPORT (Wood, faux wood, faux marble, STAINS ETC.) Diluted with turpentine or paint thinner, N. 2 PAST THE SAME WITH COLD PAD, left to dry for about a week and then polished with very fine steel wool, scouring PLASTIC ROUGH, FINISH BUFFER WOOL elbow grease (THIS TYPE OF WORK IS USUALLY DO THE BOY AMONG OTHERS THAT NEED TO BE A LITTLE 'of muscles).
FAUX MARBLE SIMPLE: AFTER THE STAGE IS A BONDING HAND FOOT WITH BRUSH WITH COLOR Taming MORE 'LIGHT MARBLE IMITATION OF THE TYPE OF PAINT SHOULD BE SLIGHTLY ABSORBING ACRYLIC, DRY, IT GOES A LITTLE MORE COLOR' WITH DARK CLOTH AND FOAM SEA sliced \u200b\u200bbread, initial packing SO SLIGHTLY, THEN MORE MOB 'to make up ONCE OVER THE PART WHERE MOST ITEMS OF BUSH' WHERE LESS, AT THIS POINT WILL 'EXPERIENCE TO DRIVE THE HAND MADE WITH SOME GRAIN PENS brush or GULL, so going 'to create the type of marble to be imitated. Once you reach the satisfactory results BUSH IS CALLED IN COOPERATION WITH THE ABOVE POLISHING.
FAUX MARBLE encaustic : GIA 'TREATY ON ALL BOOKS PLINIO FORWARD TO THE DAY, IT GETS IN MANY WAYS, WE WILL BE RESTRICTED TO EXPLAIN HOW WE HAVE ALL THE TEACHERS WHO WERE RESPONSIBLE IN MILAN FROM 1700 ONWARDS UNTIL AFTER 1950. SU STABILITURA LEGGERMENTE PIU CARICA DI CALCE RISPETTO ALLA SABBIA TICINO FRATAZZATA COME DI CONSUETO SI PREPARA UNO STUCCO DI CALCE CHE IO LUIGI RENNA COMPONGO 50% CALCE SPENTA 50% POLVERE DI MARMO FINE QUASI FINISSIMA, POCA RESINA 3 %CENERE DI LEGNA A PIACERE ( FRATAZZATA ) SI MISCHIA IL TUTTO AGGIUNGENDO IL COLORE OSSIDO SCELTO E SI DANNO N.2 MANI CON CALOSCIA E SI LUCIDA CON LA STESSA CALOSCIA PER QUANTO BASTA PER LAVORARE UN PAIO DI ORE.DISEGNA CON LA MATITA DI MURATORE LE CAMPITURE TRA UNA LASTRA E L’ALTRA E COMINCIA A PREPARARE I COLORI OSSIDI CON TEMPERA DI CALCE LI INIZIERA’ AD APPLICARLI NEL MOMENTO CHE IL FONDO IN STUCCO E’ PRONTO ( COSA QUESTA DOVUTA IN BASE AL PERIODO INVERNO O ESTATE E TEMPO DI ASCIUGATURA) UNA VOLTA TERMINATO L’EFFETTO YOU WANT TO BE BEHIND POLISH USING hot iron TYPE OF IRON USING IN CONTEMPORARY OR BEESWAX SOAP Liguid
(LA BUSH: That's usually 'DARKER AND MORE LIQUID FUND) is normally carried out with sea sponges, cotton rag WITH CHOSEN BRUSHES WITH EVERYTHING' THE HAND 'AND FANTASY, AND THE EXPERIENCE OFFER FOR EACH DESIRED CASO.OTTENUTA staining, sanding with sandpaper is passed a VERY FINE, DRY FOR THOSE ASPERIA Pull 'THAT MAY BE, AND THEN dusted THIS POINT IS READY FOR THE STAGE LUCIDATURA.LA POLISHING : CAN 'GET WITH N. 2 coats of transparent paint thinning to the right point of synthetic, acrylic and epoxy, wax, etc.. POLISH-WAX IS MADE AS TO ALL TYPES OF SUPPORT (Wood, faux wood, faux marble, STAINS ETC.) Diluted with turpentine or paint thinner, N. 2 PAST THE SAME WITH COLD PAD, left to dry for about a week and then polished with very fine steel wool, scouring PLASTIC ROUGH, FINISH BUFFER WOOL elbow grease (THIS TYPE OF WORK IS USUALLY DO THE BOY AMONG OTHERS THAT NEED TO BE A LITTLE 'of muscles).
FAUX MARBLE SIMPLE: AFTER THE STAGE IS A BONDING HAND FOOT WITH BRUSH WITH COLOR Taming MORE 'LIGHT MARBLE IMITATION OF THE TYPE OF PAINT SHOULD BE SLIGHTLY ABSORBING ACRYLIC, DRY, IT GOES A LITTLE MORE COLOR' WITH DARK CLOTH AND FOAM SEA sliced \u200b\u200bbread, initial packing SO SLIGHTLY, THEN MORE MOB 'to make up ONCE OVER THE PART WHERE MOST ITEMS OF BUSH' WHERE LESS, AT THIS POINT WILL 'EXPERIENCE TO DRIVE THE HAND MADE WITH SOME GRAIN PENS brush or GULL, so going 'to create the type of marble to be imitated. Once you reach the satisfactory results BUSH IS CALLED IN COOPERATION WITH THE ABOVE POLISHING.
FAUX MARBLE encaustic : GIA 'TREATY ON ALL BOOKS PLINIO FORWARD TO THE DAY, IT GETS IN MANY WAYS, WE WILL BE RESTRICTED TO EXPLAIN HOW WE HAVE ALL THE TEACHERS WHO WERE RESPONSIBLE IN MILAN FROM 1700 ONWARDS UNTIL AFTER 1950. SU STABILITURA LEGGERMENTE PIU CARICA DI CALCE RISPETTO ALLA SABBIA TICINO FRATAZZATA COME DI CONSUETO SI PREPARA UNO STUCCO DI CALCE CHE IO LUIGI RENNA COMPONGO 50% CALCE SPENTA 50% POLVERE DI MARMO FINE QUASI FINISSIMA, POCA RESINA 3 %CENERE DI LEGNA A PIACERE ( FRATAZZATA ) SI MISCHIA IL TUTTO AGGIUNGENDO IL COLORE OSSIDO SCELTO E SI DANNO N.2 MANI CON CALOSCIA E SI LUCIDA CON LA STESSA CALOSCIA PER QUANTO BASTA PER LAVORARE UN PAIO DI ORE.DISEGNA CON LA MATITA DI MURATORE LE CAMPITURE TRA UNA LASTRA E L’ALTRA E COMINCIA A PREPARARE I COLORI OSSIDI CON TEMPERA DI CALCE LI INIZIERA’ AD APPLICARLI NEL MOMENTO CHE IL FONDO IN STUCCO E’ PRONTO ( COSA QUESTA DOVUTA IN BASE AL PERIODO INVERNO O ESTATE E TEMPO DI ASCIUGATURA) UNA VOLTA TERMINATO L’EFFETTO YOU WANT TO BE BEHIND POLISH USING hot iron TYPE OF IRON USING IN CONTEMPORARY OR BEESWAX SOAP Liguid
UP TO GET LUCIDONATURALE.
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WILL INSERT OTHER WAYS TO TREAT THE FUNDS IN PLASTER, STUCCO FRENCH, plywood, GYPSY PLATES, ETC. ECC ..
WILL INSERT OTHER WAYS TO TREAT THE FUNDS IN PLASTER, STUCCO FRENCH, plywood, GYPSY PLATES, ETC. ECC ..
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BROWNING
happened to me a couple of years ago by a framer, a frame similar to yours but without purple polyester normalissima.partendo by the fact that all jobs have four stages of processing puliziapreparazione (fillings, sanding, crabbing, skiing, etc.). stain (glazing, gilding, etc..) polish (wax, water based paints, synthetic paints,) after I gave it a clean and sanded primer type cementite bianco.dopo a day helped glue (six hours) the glue in this case remains sticky for at least six ore.si takes oron or fake gold is that it recognizes cm. 16x cm.16 is positioned on the frame and when you have lying around x the first floor plan with fixed or dry brush or soft cloth, which add still missing pieces in the aftermath of foglia.una once completed and get a paint and spirit x all the steps superficie.se want advice please test on a piece of wood apart.
happened to me a couple of years ago by a framer, a frame similar to yours but without purple polyester normalissima.partendo by the fact that all jobs have four stages of processing puliziapreparazione (fillings, sanding, crabbing, skiing, etc.). stain (glazing, gilding, etc..) polish (wax, water based paints, synthetic paints,) after I gave it a clean and sanded primer type cementite bianco.dopo a day helped glue (six hours) the glue in this case remains sticky for at least six ore.si takes oron or fake gold is that it recognizes cm. 16x cm.16 is positioned on the frame and when you have lying around x the first floor plan with fixed or dry brush or soft cloth, which add still missing pieces in the aftermath of foglia.una once completed and get a paint and spirit x all the steps superficie.se want advice please test on a piece of wood apart.
PREVEDE N.3 FASI DI LAVORAZIONE,PREPARAZIONE DEL FONDO, MACCHIA, LUCIDATURA: SUL MURO GIA' PREPARATOCON N. 2 MANI DI RASATURE IN STUCCO FRANCESE O TIPO MIGLIORE, DOPO LE SUE CARTEGGIATURE ECC. VENGONO DATE N. 2 MANI DI CEMENTITE LIGUIDE O FONDO SIMILE CON UN COLORE SIMILE ALLA PARTE DI LEGNO PIU' CHIARO ( DI SOLITO E' UN BEIGE ROSATO) A QUESTO PUNTO SI DEVE SEMPRE AVERE SOTTOMANO DEI CAMPIONI IN TAVOLETTE GIA' PRONTI DI FONDO ASCIUTTI IN MODO CHE SI FANNO Proofing with this mixture:
WINE VINEGAR, umber, burnt sienna and other oxides THAT WERE USED FOR THE TYPE OF INTENDED.
brushes MUST BE IN VARIOUS SIZES, MUST HAVE THE DUSTING HAND THAT MAN WHO WORKS FOR THE VEINS TO THE FAKE WOOD, THIS IS DUSTING ASCIUTTISSIMO blended BEST.
ONCE FINISHED IF you do not like: NOTHING BAD IT TAKES A CLEAN SPONGE AND RECONSTRUCTION ALL ALL over again.
about half an hour AFTER THAT 'IS PREPARING A DRY PAINT POT WITH CLEAR BRIGHT LIGHT SET FOR ONLY.
AFTER ONE DAY PASS IS A SECOND HAND TION AND A THIRD POSSIBLE.
FRESCO TYPE CONCAGNO
skim ALREADY ON 'DRY UP HAND OF BONDING FOR UNIFORM
ABSORPTION.
PREPARATION MATERIAL HAVING ESTABLISHED ACCEPT THE COLOR - THE
Cabasso DEVOID N. 2 bags of skim BUY,
ADDED TO THIS PART OF POWDER COMO, oil, resin, wood ash,
SSE, WHITE, AND COLOR OCHRE AND BROWN OXIDE LOW-LIME PREPARATION
Liguid COLORED POINT RIGHT AND ADDING
LITTLE RESIN AND OIL SOAP -
FRESCO TYPE CONCAGNO
skim ALREADY ON 'DRY UP HAND OF BONDING FOR UNIFORM
ABSORPTION.
PREPARATION MATERIAL HAVING ESTABLISHED ACCEPT THE COLOR - THE
Cabasso DEVOID N. 2 bags of skim BUY,
ADDED TO THIS PART OF POWDER COMO, oil, resin, wood ash,
SSE, WHITE, AND COLOR OCHRE AND BROWN OXIDE LOW-LIME PREPARATION
Liguid COLORED POINT RIGHT AND ADDING
LITTLE RESIN AND OIL SOAP -
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SAMPLE No. 130 (SQ) 60 X 60 11/27/1990
HO ADAGIO IRREGULAR SUBSTRATE ON PLASTIC AND TRYING TO NETWORK WITH RESIN PASTE AND SAND: After a couple of hours, since not stuck, I HAVE DRAWN UP, HAND skim BUY.
aftermath, I have a moment FRATASSATA AND DRAWN ON A COMPOUND MARMORINO% MIO, GIA 'prepared with addition of SSF AND GREEN, IS ALREADY IN THE DUST' IN A FEW DAYS TO JAR OR COLOR SIKKENS.
0 6 5 IN THE AFTERNOON AFTER HOURS (AFTER BAR) I FRATASSATO FRATASSO WITH WET.
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TECHNICAL
ETCHINGS
PINE AND ME AT 15.00 WE ARE IN PLACE TO MEET carpenter (BY MONACO)
PLUGS ON THE DOOR FOR YOUR WOOD. After greeting
THE SAME I start to Picozzi ALL PART OF GRAFFITI be redone, is dusted FROM PINE AND PITCH WITH BRUSH FOR FIXING EXTERNAL skim POCA.
AFTER ONE DAY TO GO WITH 14.30 galoshes skim STEP # 2 HANDS WITH SOME 'OF BROWN (WITHOUT REFERENCE ANY) FOR GOOD AND Fratazza, estimated that since I would spend STUCCO LIME. The next day I
ORGANIZING MATERIALS AND TOOLS AND WE ARE WITH THE PINE 8.00.
bad day: cold, wind and rain.
organize everything, TOOLS, EQUIPMENT, AND THERE IS SOMETHING YOU ARE LOOKING TO OBTAIN. START A
Spread the grout (HAD BY SOME 'with masks a year earlier).
STILL REVIEW THE STUCCO AND START A Fratazza, MI A LITTLE HELP 'WITH A BRUSH AND WATER AND I GOT TO LEVEL WITH THE EXISTING FUNDS, WE REVIEW THE galoshes for a while and I'm going to DO duster THROUGHOUT THE DESIGN.
HOW DO I SEE PINO TO DO AND GO UP BY NEXT DAY, THEN HE GOES AWAY AND REMAIN UNTIL 14,00 PER COMPLETARE. ( AVEVO UN FREDDO ADOSSO CHE NON VEDEVO L’ORA DI ARRIVARE A CASA E SDRAIARMI ANCHE PERCHE’ IL GIORNO PRIMA MI ERA CASCATA UNA TAVOLA DI MT.2.50 SULLA SCHIENA E MI FACEVA ANCORA MALE.
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CAMPIONE MACCHIA POMPEI N. 126
C'ERA CAMPIONE DI MACCHIA CON VERNICETTA SOPRA, FATTO NEL BAGNO DI VIA MORONI , 19
CARTEGGIATO BENE E PASSATO I DUE COLORI SCURI: ROSSO VIVO DUCOTONE AT E BLU INTENSO DUCOTONE AT.
ASCIUGATO IN MEZZO TRA I DUE COLORI CON FONO E PASSATO FISSATIVO CON OCRA. ASCIUTTO CON FONO PASSATO VELATURE GIALLE ANCHE COMPOSTE CON ACRILIQUE E GRASSELLO FINE CON GIALLO E SIKKENS.ASCIUTTO IL TUTTO, PASSATO ACQUA DI CALCE E FATTO ASCIUGARE, SPOLVERATO E PASSATO SAPONE LIQUIDO, ASCIUTTO PASSATO CERA GIALLA CON TAMPONE E DOPO CON LAME 2 PASSATE.
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CAMPIONE N. 127 EFFETTO FRATASSATO
C'ERA CAMPIONE DI MACCHIA CON VERNICETTA SOPRA, FATTO NEL BAGNO DI VIA MORONI , 19
CARTEGGIATO BENE E PASSATO I DUE COLORI SCURI: ROSSO VIVO DUCOTONE AT E BLU INTENSO DUCOTONE AT.
ASCIUGATO IN MEZZO TRA I DUE COLORI CON FONO E PASSATO FISSATIVO CON OCRA. ASCIUTTO CON FONO PASSATO VELATURE GIALLE ANCHE COMPOSTE CON ACRILIQUE E GRASSELLO FINE CON GIALLO E SIKKENS.ASCIUTTO IL TUTTO, PASSATO ACQUA DI CALCE E FATTO ASCIUGARE, SPOLVERATO E PASSATO SAPONE LIQUIDO, ASCIUTTO PASSATO CERA GIALLA CON TAMPONE E DOPO CON LAME 2 PASSATE.
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CAMPIONE N. 127 EFFETTO FRATASSATO
SU FONDO GRANULOSO GIA' PREPARATO IL GIORNO PRIMA PASSATO IN UNICA MANO, COMPOSTO: DI 50% DI MAT. 50 DI MAT + POCO DI MAT.MISCHIATO CON KOALA ANNACQUATA CON COLORE OCRA E ROSSO E POCHISSIMA RESINA, ANCORA FRESCO FRATASSATO CON CALOSCIA DI PLASTICA (ASCIUGA PRESTO! PER VIA DEL CEMENTO E DEL GESSO)!!!!!
" ASCIUGATO L'ANGOLO DESTRO CON FONO E SPOLVERA, PERO' TIENE"
AFTER ONE DAY, AND AFTER THE PAST Arquette COLORED PULL sponge .... Hover over SOAP.
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SAMPLE No. 128 (TRIANGULAR)
MARMORINO GREEN STAINED SAMPLE FACT.
SURBO LECCE AND WITH ADDITION OF CARBON, litter, plaster, strong neck, RESIN AND GREEN AND GRAY, after smoothing, SINCE BUSH BRUSH WITH GREEN BASE WITH LIME AND AFTER PLOTORELLO UNBUFFERED WITH WOOL, FLAT ASC IUGATO WITH FLAME AND ALMOST COMPLETELY PAST AND OIL MIXTURE OF LINEN, strong neck and lime, one on each side with cotton wool.
I DID THE SAME THING ON THE STRIP IN FRONT.
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THE GLUE OF CLOAK
TAKE IT OLD PIECES OF LEATHER (TYPE SHOES, BAGS, ETC.) BRING IN THE POT AND BOIL UNTIL THEY IS REDUCED TO A THIRD PARTY.
REMOVING THE LEATHER, and allow to cool. IT TAKES JUST AS WATER AND LIME COLOURED LAND FOR THOSE WHO WANT TO OBTAIN AND PASS ON ALL THE DISEASE BRUSH WITH SMOOTH SURFACE AND WHEN
THIS 'DRY will seem' real stone.
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yellow sandstone
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yellow sandstone
SI COMPOSED OF:
20 HK PARTS WHITE POWDER.
40''of fine litter YELLOW Vicenza.
30''FINA yellow sand.
5''of Sabbioni remaining in sieve.
5''OIL AND COOKED PAST TO LEAD clarified. ________________________________
knead skim AND DO PAST TWO TYPE (OF STUCCO
June ') AND SMOOTH, VERY GOOD, IF NOT DOING THE SIGNS THAT BLACKS SHOULD BE
. AFTER TEN DAYS WHEN WILL ' BEL IS HARD
Sand with fine paper. WHEN WILL BE 'NICE SMOOTH IS DUSTING BRUSH WITH THE PAST AND
GLUE CLOAK. ________________________________
VARIANT YELLOW
CAN 'CHANGE MADE BY MAKING THE MOST OF WHITE PUTTY'
(20%) and add a mixture of (Ticino, PINK impalpable, POWDER
MARBLE, QUARTZ AND WHITE Gossamer ALWAYS COOKED OR OLIVE OIL.
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RESTORATION OF MARBLE IMITATION
when it happens to me to do restoration work on the fake marble I see first the nature of the plaster and the underlying che periodo risale.supponiamo che sia stato eseguito originariamente a regola d'arte tiposu stucco di calce finitura ad encausto ( asciutto con i ferri caldi )uso gli stessi materiali che sono stati utilizzati originariamente.se non dovessero convincermi trovo in commercio un tipo di stucco resinato lo diluisco a mo di pittura e uso sia i colori universali o gli ossidi secondo il caso.dopo asciutti bene do una leggerissima carteggiata e passo n. 2 mani di cera bianca e dopo asciutta ( una settimana ) la lucido a mano o flessibile.
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LICCISO SPEZZATO
FATTO CAMPIONE MARMORINO VERDE MACCHIATO
CON SURBO DI LECCE E AGGIUNTA DI (CARBONATO ,SABBIETTA , ALABASTRO , COLLA
FORTE , RESINA , E COLORE VERDE E GRIGIO.) DOPO LISCIATO DATO MACCHIA DI VERDE
BASE CON CALCE , E DOPO TAMPONATO CON PLATORELLO DI LANA LISCIATO E
ASCIUGATO CON FIAMMA , QUASI COMPLETAMENTE , E PASSATO MISTURA DI OLIO DI
LINO, COLLA FORTE, E CALCE, UNA PER PARTE CON OVATTA.
HO FATTO LA STESSA COSA SULLO STRISCIATO DAVANTI.
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VIA DUBINI - MILANO MATERIALI UTILIZZATI
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MATERIALI OSSIDI: KG. 3 DI BRUNO
KG.1 DI MARRONE OCRATO
KG. ¾ OCRA PER AFFRESCHI
N.2 SACCHETTI DI GRASSELLO DI CALCE
N.1 SACCO LARGE QUANTITY OF SAND TICINO
No.2 putty plastic buckets and marble dust (SIL QUARTZ WITH ¼ 9), I have prepared FUND WITH THESE DARK BROWN (# 2 SQUARE CONTAINERS) AND THEY HAVE 'THE LIGHT HAS HAD No.2 READY AND A FULL PAID IN HO HO AND ANOTHER BUCKET THAT YOU HAVE ADDED THE QUARTZ (¼ TICINO with little sand.
WITH THESE MATERIALS ARE MADE GRAFFITI IS ABOUT 8 MQ.
THE COST OF THESE AND 'STATE TOTAL OF ABOUT 120,000 LIRE
MEDIA MATERIALS FOR SQUARE METER Kg.6 / 12.
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-------- ------ end of the ancient techniques listed below wall processing is available from
VIA DUBINI - MILANO MATERIALI UTILIZZATI
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MATERIALI OSSIDI: KG. 3 DI BRUNO
KG.1 DI MARRONE OCRATO
KG. ¾ OCRA PER AFFRESCHI
N.2 SACCHETTI DI GRASSELLO DI CALCE
N.1 SACCO LARGE QUANTITY OF SAND TICINO
No.2 putty plastic buckets and marble dust (SIL QUARTZ WITH ¼ 9), I have prepared FUND WITH THESE DARK BROWN (# 2 SQUARE CONTAINERS) AND THEY HAVE 'THE LIGHT HAS HAD No.2 READY AND A FULL PAID IN HO HO AND ANOTHER BUCKET THAT YOU HAVE ADDED THE QUARTZ (¼ TICINO with little sand.
WITH THESE MATERIALS ARE MADE GRAFFITI IS ABOUT 8 MQ.
THE COST OF THESE AND 'STATE TOTAL OF ABOUT 120,000 LIRE
MEDIA MATERIALS FOR SQUARE METER Kg.6 / 12.
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rennadecorazioni.it
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decorazioni murali , boiserie , Anticondensa - Antifumo - Antimuffa - Antiumido - Appartamenti - Assistenza E Manutenzione Stabili - Bucciati - Bucciato - Carta Da Parati - Carteggiatura - Cartongesso - Colonna - Controsoffitti - Costi Imbianchino - Decoratore - Decorazioni - Edilizia - Elettricista - elettricità - esempi di imbiancatura - Finiture Decorative - Finiture Di Natura Edile - Finiture Edili - Giorgio Graesan - Idraulico - imbiancare a rullo - Imbiancatura - imbiancatura a spugna - imbiancatura esterna - Imbiancature - Imbianchino - Imbianchino
decorazioni murali , boiserie , Anticondensa - Antifumo - Antimuffa - Antiumido - Appartamenti - Assistenza E Manutenzione Stabili - Bucciati - Bucciato - Carta Da Parati - Carteggiatura - Cartongesso - Colonna - Controsoffitti - Costi Imbianchino - Decoratore - Decorazioni - Edilizia - Elettricista - elettricità - esempi di imbiancatura - Finiture Decorative - Finiture Di Natura Edile - Finiture Edili - Giorgio Graesan - Idraulico - imbiancare a rullo - Imbiancatura - imbiancatura a spugna - imbiancatura esterna - Imbiancature - Imbianchino - Imbianchino
e finto legno,legno+finto: finto legno travi , pavimento in finto legno , finto legno travi , pavimento in finto legno
, legno+finto faux marble walls and columns decorated with faux marble: the guide ... the niches, with skirting,
staircases, walls or fireplaces, but also ...
corridors and stairways, which add to the aesthetic enhancement ... When complete the ornament and faux marble plinth
, legno+finto faux marble walls and columns decorated with faux marble: the guide ... the niches, with skirting,
staircases, walls or fireplaces, but also ...
corridors and stairways, which add to the aesthetic enhancement ... When complete the ornament and faux marble plinth
still wet I took the OO MATERIAL WITH ADDITION OF WHITE AND MIXING WITH WATER AND MORE 'RESIN, WITH GREEN AND took two steps, One after the other and smoothed MORE 'TO, AND DRY WITH SPEECH.
completely dry, ALWAYS IN THE DAY, THE PAST WITH WHITE AND YELLOW VERY LIQUID MARSEILLE, CURED WITH IRON AND FURTHER REVIEW, THE PAST AND DRIED CERA TWICE AND DRY WITH SPEECH.
"I THINK I COULD DO AT THE TIME OF SMOOTHING THE TYPE COLOUR FRESCO WITH COLOR UNIVERSAL BODY IN MIXTURE OF RABBIT, RESIN, WAX, SOAP WITH SIGN AE WELL GO AFTER DRY WAX AND POLISH.
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BROKEN LICCISO
still wet I took two GLYCERIN DROPS TWO GALL OF DIRTY WATER AND MIX I added a jar with brush PLATE AND PAST THE GREEN PUTTY PUTTY AND THEN THE COLOR PURPLE AND RED LAST pure colors, AGAIN SCRUM with a few drops of gall and glycerin. (BOTTOM RIGHT CORNER ASCIUTTO CON FONO E PASSATO SAPONE E ASCIUGATO). PASSATO SU TUTTO SAPONE E ASCIUGATO CON FONO.
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MATERIALI SU STABILITURA
TIPO FUORI LABORATORIO: SU STABILITURA ASCIUTTA DA DUE GIORNI A NOVEMBRE, PASSATO UNA DOPO L'ALTRA , CON CALOSCIA, COMPOSTO DA STABILITURA PIU' PARTE IN BIANCA IDRATA, DA UNA QUINDICINA DI GIORNI, COLORE OCRA E ROSSO PIU' GIALLINO POCO OLIO D'OLIVA RIMANENZE E POCA RESINA PURA.
DOPO QUESTE DUE MANI CHE TIRAVA A FATICA, META' SOPRA
L'HO FRATASSATO CON FRATAZZO SPUGNA, SUBITO LA META' SOTTO L'HO FRATASSATO NEL POMERIGGIO.
INVECE PER I CAMPIONI I MADE IN A SMALL AFFFRESCO, bath sponge RED ONE OUT OF HYDRATED, WITH ONE RED WITH SPONGE Fratazza,, ONLY A LITTLE Fratazza OUT HOW TO TYPE. Wait a few days to see as it dries.
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SAMPLE TYPE MARMORINO MADE ON MY PART LICCIA
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